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Übersetzung für 'Suona' von Englisch nach Deutsch

suona [also: suǒnà]

Suona {f} [auch: Suǒnà]mus.

• Suona {f} [auch: Suǒnà] = suona [also: suǒnà]

• The allegro is composed of two folk suona tunes in northern Shaanxi.
• It is similar in construction and sound to the Chinese "suona" and the Korean "taepyeongso".
• Liu favors the tenor and baritone saxophone as his primary instruments, though he also uses a modernized version of the "suona" for some songs in Cui Jian's band, in which he still performs.
• Chuigushou is a type of traditional percussive musical ensemble most often used at weddings and funerals by the Han Chinese, which usually accompanies a form of oboe called a suona.
• The "trompeta china" (also called "corneta china"), a Cuban traditional wind instrument, is actually the Chinese "suona", an instrument in the oboe family introduced to Cuba by Chinese immigrants during the colonial period (specifically the late nineteenth century).

• In America, the jazz saxophonist Dewey Redman often played the "suona" in his performances, calling it a "musette".
• During 2018 the group released the singles "Shut Tha Fuck Up" and "Tutta la vita" with the related official videos announcing the release of the new album of unreleased Cor Veleno "Lo Spirito che suona", released on October 26, 2018.
• "La mia banda suona il pop" (...) is a 2020 Italian comedy film directed by Fausto Brizzi.
• Notably missing from the instrumentation are the "suona" family of instruments, the "diyin sheng" (bass "sheng") and "liuqin".
• When Tianming grows up (Li Mincheng), he becomes principal of the suona ensemble, but he finds the popularity of traditional Chinese music waning.

• Born to a poor peasant family, Liu was a professional folk musician who had earned a meagre living playing the "guanzi", "suona", and "dizi" in rural ritual ensembles before becoming a soloist in the Tianjin Song-and-Dance Ensemble "(Tianjin gewutuan)" in 1952.
• Guido Olivieri “’Si suona a Napoli!’ I rapporti fra Napoli e Parigi e i primordi della Sonata in Francia,” "Studi Musicali" 35 (1996): 409-27.