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Übersetzung für 'Agnus Dei' von Englisch nach Deutsch

Agnus Dei

Agnus Dei {n}mus.relig.

Agnus Dei [Lamb of God]

Lamm {n} Gottesrelig.

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Pontifical Commission Ecclesia Dei

Päpstliche Kommission {f} Ecclesia Deirelig.

diversity, equity, and inclusion <DEI>

Vielfalt, Gerechtigkeit und Inklusion <DEI>

Diversität, Chancengleichheit und Inklusion <DEI>

vox dei [also: vox Dei] [Latin: the voice of God]

Gottes Stimme {f}

Stimme {f} Gottes

• Agnus Dei {n} = Agnus Dei
• Dei {m} = dey
• dei Mudda {f} [regional] = yo mama [Black Am. sl.]
• Gloria dei {f} [Rose] = Peace rose [Rosa 'Madame A. Meilland']
• dei Mama {f} [südd.] [österr.] = your mother
• Päpstliche Kommission {f} Ecclesia Dei = Pontifical Commission Ecclesia Dei
• Vielfalt, Gerechtigkeit und Inklusion <DEI> = diversity, equity, and inclusion <DEI>
• Diversität, Chancengleichheit und Inklusion <DEI> = diversity, equity, and inclusion <DEI>

• The Latin version, Agnus Dei, and translations are a standard part of the Catholic Mass, as well as the classical Western Liturgies of the Anglican and Lutheran churches.
• The Kyrie, Gloria, Credo, Sanctus, Benedictus and Agnus Dei use the same text in every service of the Mass.
• Most of the prayers that the priest says are spoken inaudibly, including almost all the Mass of the Faithful: the offertory prayers, the Canon of the Mass (except for the preface and the final doxology), and (apart from the Agnus Dei) those between the Lord's Prayer and the postcommunion.
• As specified by the "Caeremoniale Parisiensis" (1662), Grigny states the chant melodies in the first and last Kyrie, Gloria, and the first Sanctus and Agnus Dei.
• During a mass attended by the Doge, evidence suggests they would have played a canzona in the Gradual after the Epistle and the Agnus Dei, a sonata in the Offertory as well as reinforcing vocal parts or substituting for absent singers.

• Other music include Barber's Agnus Dei and Mahler's Symphony No. 5.
• Its motto is "Ecce Agnus Dei, Ecce Qui Tollit Peccata Mundi": Latin for "Behold the Lamb of God, Who Takes Away the Sins of the World", words of St John the Baptist (Patron Saint of the Company) in reference to Jesus.
• It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Benedictus and the Agnus Dei as his own.
• Examples of prolation canons from the Renaissance include "Le Ray Au Soleyl" by Johannes Ciconia (late 14th century); the entire "Missa prolationum" by Johannes Ockeghem (mid-15th century), in which each separate section of the mass explores a different prolation (or different gap between entries and relative speed of each voice); the Agnus Dei from the "Missa L'homme armé super voces musicales" by Josquin des Prez (late 15th century); and the Agnus Dei from the "Missa L'homme armé" by Pierre de la Rue (early 16th century).