Übersetzung für 'E double sharp' von Englisch nach Deutsch

E double sharp <Ex>

Eisis {n}mus.

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E sharp <E♯>

Eis {n} <E♯> [Ton]mus.

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E sharp major <E♯ major>

Eis-Dur {n} <Eis, E♯>mus.

E sharp minor <E♯ minor>

eis-Moll {n} <eis, Eism, E♯m>mus.

E double flat <Ebb>

Eses {n}mus.

double sharp <x>

Doppelkreuz {n} <x>mus.

A double sharp <Ax>

Aisis {n}mus.

D double sharp <Dx>

Disis {n}mus.

B double sharp <Bx>

Hisis {n}mus.

F double sharp <Fx>

Fisis {n}mus.

G double sharp <Gx>

Gisis {n}mus.

double sharp symbol <x>

Doppelkreuz-Zeichen {n} <x>mus.

C double sharp <Cx>

Cisis {n}mus.

Errors and omissions excepted / excluded. <E.&O.E., E&OE>

Irrtümer und Auslassungen vorbehalten. <s. e. e. o., s. e. et o., S. E. & O.> [salvo errore et omissione]

Error and omission excepted / excluded. <E.&O.E., E&OE>

Irrtum und Auslassung vorbehalten. <s. e. e. o., s. e. et o., S. E. & O.> [salvo errore et omissione]

errors excepted <E.E., e.e.>

Irrtümer vorbehalten

What (in) the h-e-double hockey sticks ... ? [esp. Am.] [coll.] [euphem.] [What (in) the hell]

Was zum Geier ... ? [ugs.]

first edition <FE, F/E, 1E, 1/e>

Erstausgabe {f} <EA>

errors and omissions excepted <E. & O. E.>

Irrtümer und Auslassungen vorbehaltencomm.

e-fit / E-fit (picture) [after: Electronic Facial Identification Technique] [esp. Br.]

digitales Fahndungs­foto {n}

Church of England <C of E> <CE> <C.E.> <CofE> <COE>

[englische Staatskirche]relig.

• Its parallel major, D-sharp major, is usually replaced by E-flat major, since D-sharp major's two double-sharps make it impractical to use.
• (C-double sharp) and E [...] (E-double flat). It is the third semitone of the solfège.
• Its parallel minor, G-flat minor, is usually replaced by F-sharp minor, since G-flat minor's two double-flats make it generally impractical to use.
• ten" ("to be called", double "e" in open syllable for the same [...]).
• release notes for its Quarto typeface describe van den Keere's Two-Line Double Pica display-sized roman (shown above; size is around 42pt) [...] as "an arresting design marked by striking dramatic tensions"; designer Sara Soskolne has said that she was attracted to "its crispness, its drama" but noted that they removed details such as the wide horizontal of the centre bar of the 'E' which she felt did not work.