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 Übersetzung für 'You've a day off' von Englisch nach Deutsch
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You've a day off.
Sie haben einen Tag frei. [formelle Anrede]
Teiltreffer
You've made my day! [idiom] Ich könnte dir um den Hals fallen! [ugs.] [Redewendung]
You truly don't know him unless you've walked a mile in his shoes. [idiom] Man muss mit ihm erst einen Scheffel / Sack Salz gegessen haben. [Redewendung]
quote
Until you've lost your reputation, you never realize what a burden it was or what freedom really is. [Margaret Mitchell]
Ist der Ruf erst ruiniert, lebt es sich ganz ungeniert.
idiom
You've got a point there.
Da ist was (Wahres) dran. [ugs.]
You've made a splendid recovery.Du hast dich prachtvoll erholt.
You've got a point there.Das ist (natürlich) ein Argument.
Quite a place you've got here.Sie haben ein erstaunliches Haus.
You've been sold a pup. [idiom]Du bist angeschmiert worden. [ugs.] [fig.]
I've got a question for you.Ich habe eine Frage an dich.
You've done a good job on sth.Etw. ist dir gut gelungen.
I've told you a zillion times ... [coll.]Ich hab dir hunderttausendmal gesagt ... [ugs.]
You've made a good job of sth.etw. ist dir gut gelungen.
I've half a mind to run off.Ich möchte beinahe weglaufen.
idiom
I've got a big favor to ask of you. [Am.]
Ich habe ein Attentat auf dich vor. [ugs.] [hum.]
idiom
I've got a big favour to ask of you. [Br.]
Ich habe ein Attentat auf dich vor. [ugs.] [hum.]
I've got a big favor [Am.] / favour to ask of you.Ich möchte dich um einen großen Gefallen bitten.
You know you've been hacking too long when ... <YKYBHTLW > Du weißt, dass du zu lange am Computer gehackt hast, wenn ...
You've still got all your life in front of you.Du hast doch noch das ganze Leben vor dir.
proverb
You've made your bed, now you must lie in it.
Was man sich eingebrockt hat, das muss man auch auslöffeln.
once you've got what you wantwenn du erstmal hast, was du willst [ugs.]
21 Übersetzungen
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Übersetzung für 'You've a day off' von Englisch nach Deutsch

You've a day off.
Sie haben einen Tag frei. [formelle Anrede]jobs

You've made my day! [idiom]
Ich könnte dir um den Hals fallen! [ugs.] [Redewendung]
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You truly don't know him unless you've walked a mile in his shoes. [idiom]
Man muss mit ihm erst einen Scheffel / Sack Salz gegessen haben. [Redewendung]
Until you've lost your reputation, you never realize what a burden it was or what freedom really is. [Margaret Mitchell]
Ist der Ruf erst ruiniert, lebt es sich ganz ungeniert.quote
You've got a point there.
Da ist was (Wahres) dran. [ugs.]idiom

Das ist (natürlich) ein Argument.
You've made a splendid recovery.
Du hast dich prachtvoll erholt.
Quite a place you've got here.
Sie haben ein erstaunliches Haus.
You've been sold a pup. [idiom]
Du bist angeschmiert worden. [ugs.] [fig.]
I've got a question for you.
Ich habe eine Frage an dich.
You've done a good job on sth.
Etw. ist dir gut gelungen.
I've told you a zillion times ... [coll.]
Ich hab dir hunderttausendmal gesagt ... [ugs.]
You've made a good job of sth.
etw. ist dir gut gelungen.
I've half a mind to run off.
Ich möchte beinahe weglaufen.
I've got a big favor to ask of you. [Am.]
Ich habe ein Attentat auf dich vor. [ugs.] [hum.]idiom
I've got a big favour to ask of you. [Br.]
Ich habe ein Attentat auf dich vor. [ugs.] [hum.]idiom
I've got a big favor [Am.] / favour to ask of you.
Ich möchte dich um einen großen Gefallen bitten.
You know you've been hacking too long when ... <YKYBHTLW >
Du weißt, dass du zu lange am Computer gehackt hast, wenn ...
You've still got all your life in front of you.
Du hast doch noch das ganze Leben vor dir.
You've made your bed, now you must lie in it.
Was man sich eingebrockt hat, das muss man auch auslöffeln.proverb
once you've got what you want
wenn du erstmal hast, was du willst [ugs.]
Anwendungsbeispiele Englisch
  • On 28 October 2018, Wests released coach Ivan Cleary from the final two years of his contract. Cleary also sent a departing text message to the tigers playing group saying "G'day boys I hope this finds you well and enjoying your time off, I was writing to you in the hope of beating the press.. to let you know that I will no longer be your coach at Wests Tigers. This is an extremely uncomfortable situation for me as I have genuine fondness for the club, and I have loved coaching you all.. I understand that this situation has caused some pain for people that I care about, along with putting the club in an awkward situation... I do not feel good about this. I would have preferred to do this in person but time and circumstances have made that impossible. I hope we meet again soon and I wish you all the very best in the future. You have my number and I am always open for a chat if you wish. Iv".
  • This is followed by two lyrically different parts to "Message to the Clerk," which is somewhat like early Dylan electric work, with the surreal verses (sample: "and now you're independent/brush your teeth three times a day") leading to the repeating refrain "take a message to the clerk/tell him not to work." This song would be edited and redone for the On the Way album. The rest of the album continues the off-rhythm guitar and drums on more art/garage punk ("Breathtaker") and an attempt at a slower electric track ("Lonesome Company").
  • For example, consider having the choice between getting the day off work tomorrow or getting a day and a half off work one month from now. Suppose you would choose one day off tomorrow. Now suppose that you were asked to make that same choice ten years ago. That is, you were asked then whether you would prefer getting one day off in ten years or getting one and a half days off in ten years and one month. Suppose that then you would have taken the day and a half off. This would be a case of time inconsistency because your relative preferences for tomorrow versus one month from now would be different at two different points in time—namely now versus ten years ago. The decision made ten years ago indicates a preference for delayed gratification, but the decision made just before the fact indicates a preference for immediate pleasure.
  • The boom ended in the mid-1980s, with many of the theaters closing. Film and television stars ceased working in dinner theater. Booth commented: "They could make more in a day doing a commercial than they could make during the entire run of dinner theater show, and they didn't have to travel. Plus, a lot of the stars just started dying off. It was a fine gig for a while." He said that, in 1999, you could count the number of surviving professional dinner theaters on two hands. There was a stigma attached to dinner theater and audiences got tired of such shows like "The Last of the Red Hot Lovers" and "Arsenic and Old Lace".
  • The band released their second official album, "Unwind", in 2001. Their major label sophomore effort included the hit song "Are You There?". "Champion" became a theme about the sacrifice of firefighters during the September 11, 2001 attacks in New York City. The profits made off its single would be donated to aid the victims. During this time, the song "Bruised" was featured exclusively in "American Pie 2". "Jimmy Shaker Day" was featured in the 2002 blockbuster "Spider-Man". "Unwind" found considerable success but could not match the popularity of the band's previous album. It also gained both criticism and praise for its more varied musical style.

  • His well known songs include "Danke Schoen" (1963), "Summer Wind" (1965), "Red Roses for a Blue Lady" (1965), "Daddy, Don't You Walk So Fast" (1972) and "Years" (1980). "Danke Schoen" is Newton's signature song and was notably used in the 1986 movie "Ferris Bueller's Day Off".
  • 3XY's transmitter was turned off at 1.00 pm on 23 September 1991. The final on-air program as 3XY was a one-hour pre-recorded special, commissioned by AWA and produced and presented by music historian Glenn A. Baker. It was a tribute showcasing the music of 1976 when 3XY was number one in the radio ratings. Roxanne Bennett was the last 'live' announcer on 3XY, finishing her shift at 12 noon that day with Spectrum's song "I'll Be Gone" the final song played before the one hour pre-recorded special was aired. The last song to be ever aired on 3XY, was AC/DC's "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)", at the end of the pre-recorded special.
  • The last week in April 2004 was "Latin Week," a tribute to the music of Gloria Estefan. Stevens performed "Music of My Heart," and Simon Cowell credited Stevens with "taking every bullet thrown at you like a man." The next day, Stevens was voted off the show, coming in sixth place despite receiving over four million votes.
  • The Comic Relief series returned on 3 March 2007 for a third series. It was announced by the BBC that Cat Deeley would not return because she was hosting "So You Think You Can Dance". Patrick Kielty returned this time with co-host and host of the former spin-off show Claudia Winkleman. The third series ran nightly from Wednesday 7 to 16 March (Red Nose Day). The winner of this series was Tara Palmer-Tomkinson.
  • An easy way to explain how multiple buffering works is to take a real-world example. It is a nice sunny day and you have decided to get the paddling pool out, only you can not find your garden hose. You'll have to fill the pool with buckets. So you fill one bucket (or buffer) from the tap, turn the tap off, walk over to the pool, pour the water in, walk back to the tap to repeat the exercise. This is analogous to single buffering. The tap has to be turned off while you "process" the bucket of water.

  • Israelite society placed a special importance on the beard. Many religious male figures are recorded to have had facial hair; for example, numerous prophets mentioned in the Tanakh were known to grow beards. The Torah forbids certain shaving practices altogether, in particular Leviticus 19:27 states, "You shall not round off the side-growth on your head, or destroy the side-growth of your beard." The Mishnah interprets this as a prohibition on using a razor on the beard. This prohibition is further expanded upon in kabbalistic literature. The prohibition carries to modern Judaism to this day, with rabbinic opinion forbidding the use of a razor to shave between the "five corners of the beard" – although there is no uniform consensus on where these five vertices are located.
  • The transatlantic broadcast from Wembley suffered technical problems and failed during The Who's performance of their opening song "My Generation", immediately after Roger Daltrey sang "Why don't you all fade ..." (the last word "away" was cut off when a blown fuse caused the Wembley stage TV feed to temporarily fail). The broadcast returned as the last verse of "Pinball Wizard" was played. John Entwistle's bass wouldn't work at the start, causing an awkward delay of over a minute before they could start playing. The band played with Kenney Jones on drums and it was their first performance since disbanding after a 1982 'farewell' tour. The Who's performance was described as "rough but right" by "Rolling Stone", but they would not perform together again for another three years. At 32 minutes Elton John had the longest set on the day; his setlist included the first performance of "Don't Let the Sun Go Down on Me" with George Michael.
  • Top Up TV provided additional services such as Xtraview which offered Top Up TV channels on a per-day basis, but closed down after Channel 4 wanted the stream back for its own use. This was replaced for a time by Top Up TV Pay As You Go. Top Up TV Active was an interactive advertising service that replaced the off-air MHEG screens on channel 107; it also featured an audio version of QuizWorld.
  • With the hugely increased public expenditure necessitated by the war – it increased sixfold between 1938 and 1943 – inflation was always a danger. Wood sought to head off inflationary wage claims by subsidising essential rationed goods, while imposing heavy taxes on goods classed as non-essential. The last change he pioneered as Chancellor was the system of Pay As You Earn (PAYE), by which income tax is deducted from current pay rather than paid retrospectively on past years' earnings. He did not live to see it come into effect; he died suddenly at his London home on the morning of the day on which he was due to announce PAYE in the House of Commons. He was 62.
  • <blockquote>We are ... asking every Negro to stay off the buses Monday in protest of the arrest and trial ... You can afford to stay out of school for one day. If you work, take a cab, or walk. But please, children and grown-ups, don't ride the bus at all on Monday. Please stay off the buses Monday.

  • The most common approach route for Mount Forbes is from the Alberta side, starting at the Icefields Parkway. Park at the Glacier Lake trailhead (at the end of a short unnamed road [...] west of the David Thompson Highway turn-off), and follow the trail to the head of Glacier Lake (...). From there follow the old trail up the north bank of the Glacier River to the large open basin at the head of the river. Ford the Glacier river. Find the climbers trail ascending the timbered knob at the south end of the basin. Follow this trail as it climbs steeply up the knob then crosses to the west and climbs improbably up toward cliffs to the west. Eventually you climb above the canyon and then the drop slightly to the edge of the Mons Glacier. Camps can be made here or at the foot of the North Glacier of Mt. Forbes. From here, the peak can be climbed in a reasonable day. The approach takes 4 to 6 hours.
  • Bob Rivers co-hosted morning drive on WAAF between 1982 and 1987 with Peter "Zip" Zipfel. Titled "Bob and Zip", the program became known for parody and novelty songs produced by Rivers; the most memorable one being "Breakin' Up Is Hard on You" ("Breaking Up Is Hard to Do" by Neil Sedaka) regarding the Bell System divestiture, and charted at #70 on the "Billboard" Hot 100. Rivers also performed "Just a Big Ego" ("Just a Gigolo" by David Lee Roth) which debuted as Roth announced his departure from Van Halen, and was included in "The Rhino Brothers Present the World's Worst Records." Rivers and Zipfel attracted attention on the day of the 1984 United States presidential election by instructing their listeners who planned to vote for Ronald Reagan to simultaneously flush their toilets at 7:00 a.m., and listeners voting for Walter Mondale to flush their toilets at 7:30 a.m.; the station then contacted the various regional water authorities and based their exit poll off of the drops in water pressure. Rivers left WAAF to take over as morning-drive host at WIYY in Baltimore; Drew Lane replaced him and was later teamed up with Zipfel.
  • Principal photography began on June 27, 1997. Filming completed up to 50 shots per day. Spielberg wanted the actors to get little rest, "A war is fought fast, and I really wanted to keep all of the actors off-balance. I didn't want them to be able to read 75 pages of a novel [...]... I wanted to work fast enough so that they always felt as if they were in combat [...]... I had to keep them on the set, which meant shooting the film even faster than I normally do. War doesn't give you a break." "Saving Private Ryan" was shot almost entirely in continuity order, although some of the crew found this a "a mentally demoralizing experience" because the cast started together and left as their characters died.
  • With Chappell again available, Hughes returned to the vice-captaincy for the 1981–82 Tests. Australia played Pakistan first in an ill-tempered three Test series; won by the Australians two Tests to one. Hughes started the series with a century (106) in the first Test in Perth and finished the series having scored 193 runs overall. The other touring side that summer were the West Indies, widely considered the best team in the world at that time and supported by a potent fast bowling attack. The first Test in the series was played at the Melbourne Cricket Ground. Both teams were critical of the pitch prepared at the MCG for the Test. [...] Australia were quickly reduced to 26/4 before Hughes started his effort to recover the Australian innings. Hughes decided to attack the West Indian bowling. In an interview later he said "that to hang around and defend was going to be a waste of time ... So I thought what I could do was try to play as many shots as possible." Hughes' innings was widely praised. West Indian Andy Roberts said "He took up the challenge and it paid off for him. It was a great innings. You don't find one batsman playing that sort of innings on more than one occasion. That was just his day." The Wisden 100, a ranking of the "Top 100 Test Innings of all time", ranked that innings as number nine.
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