Translation for 'aria' from English to Albanian

aria

arie {f}muzikë

• The only frequently encountered aria is "Quella è una strada", a humorous aria sung – with much stuttering – by Tartaglia.
• "Ostro Picta" was written to precede the Gloria (RV 589). It has the form aria-recitative-aria. The text contrasts the ephemeral glory of the world with the everlasting glory of the Virgin Mary.
• Deeper reflection is expressed in an aria, marked "Aria Violini unisoni e Alto" (Aria Violins in unison and Alto).
• Cunegonde's coloratura aria "Glitter and Be Gay" is a favourite showpiece for many sopranos.
• Types of operatic aria became known by a variety of terms according to their character – e.g."

• Enrico Caruso, who was closely associated with the role of Rodolfo, recorded the famous aria "Che gelida manina" in 1906.
• 528, is a concert aria by Wolfgang Amadeus Mozart for solo soprano and orchestra, composed in Prague in 1787.
• A rage aria is an operatic aria expressing the rage of the character performing it.
• The cantata's form is adopted from Alessandro Scarlatti's da capo aria form.
• In the following two movements, recitative and aria, the tenor is accompanied by two oboes.

• The aria was sung for the first time by Enrico Caruso, at the world premiere of "La fanciulla del West" at the Metropolitan Opera in New York on 10 December 1910.
• These trees are often grown in parks and large gardens. The cultivars "S. aria" 'Lutescens' and "S. aria" 'Majestica' have gained the Royal Horticultural Society's Award of Garden Merit.
• The bass aria is almost dance-like, playing with the harmony and portraying jumps, reflecting the movement's text's references to John the Baptist's leaping in his mother's womb during the Visitation of Mary.
• In the first aria the soprano is accompanied by two violins, in the second aria of dance character, by three oboes.
• In 1902, the Ukrainian composer Oleksandr Horily wrote the aria "Prylyn', prylyn" ([...] – "Come, come"), when arranging the comic opera for Mykola Sadovsky's theatrical troupe.

• Mozart cleverly uses the sound of two horns playing together to represent cuckoldry, in the act 4 aria " [...] ". Verdi later used the same device in Ford's aria in "Falstaff".
• The full orchestra supports the soprano in the second aria, " [...] " (Sun of life, light of the senses).
• Memorable with its upper register staccatos, the fast-paced and menacingly grandiose "Der Hölle Rache" is one of the most famous of all opera arias.