Translation for 'postimpressionist' from English to Russian

postimpressionist

постимпрессионистский {adj}иск.

постимпрессионист {м}иск.

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• Giving himself the Russian-sounding pseudonym Pavel Jerdanowitch, Jordan-Smith painted a small group of crudely Postimpressionist canvases that he then entered in art exhibitions around the country as exemplars of a new art movement known as Disumbrationism (i.e. ...
• In 1912, Lewis exhibited his work at the second Postimpressionist exhibition: Cubo-Futurist illustrations to "Timon of Athens" and three major oil paintings.
• He led a school of painters known as the Bande noire or "Nubians" group (for the sombre palette they used, in contrast to the brighter Impressionist and Postimpressionist paintings), and was friends with such artists as Auguste Rodin.
• Jan Rubczak (18 January 1882, Stanisławów – 27 May 1942, Auschwitz) was a Polish Postimpressionist painter and engraver.
• Also in 2001, Swiss collector Gérard Corboud gave his impressionist and postimpressionist collection of over 170 works to the museum as a permanent loan.

• Lorenzo Peretti (10 November 1871 – 30 June 1953) was an Italian divisionist and postimpressionist painter.
• Chauncey Foster Ryder (29 February 1868 – 18 May 1949) was an early 20th century American Postimpressionist landscape painter known for a green-gray palette termed 'Ryder green'.
• Stephen Robert Koekkoek (15 October 1887, in London – 20 December 1934, in Santiago) was an English-born painter of Dutch descent who worked in the Postimpressionist style.
• He was recuperating from a nervous breakdown he suffered on Christmas Eve in 1888, during a visit with fellow postimpressionist Paul Gauguin.
• Initially influenced by impressionist and postimpressionist painters such as Cézanne, Van Gogh and Matisse, Tiljak's style later moved towards magical realism.

• They were modeled between 1909 and 1930. "Back (I)" appeared in the second PostImpressionist show in London and the Armory Show in New York City.
• Yet the poet and art critic, Charles Baudelaire and Daumier's fellow painters noticed and greatly admired his paintings, which were to have an influence on a younger generation of impressionist and postimpressionist painters.
• Returning to Buenos Aires in 1915, his watercolors received little acceptance and were judged to be more akin to the Postimpressionist approach of artists such as Fernando Fader and Cesáreo Bernaldo de Quirós (the Nexos group), then still pariahs among most local critics.