Translation for 'conductor\'s' from English to Slovak

conductor's

dirigentský {adj}hudba

---

(conductor's) baton

dirigentská palička {f}hudba

• On long-distance expresses, the conductor's title is sometimes enhanced to senior conductor, in line with the implied prestige of operating these trains. Historically, under British Rail, long-distance intercity trains were normally worked by the most senior guards at the depot, hence the name senior conductor. Several more recent private UK passenger train operators have further renamed the senior conductor's passenger facing title to "train manager". The RSSB rulebook still refers collectively to these individuals as guards.
• Jerry then climbs up the conductor's tuxedo and causes him to start frantically gyrating and to misconduct the orchestra into playing a jazzy rendition of the overture. He flings Jerry from his tuxedo into an orchestra member's tuba, where Tom catches him with a baseball glove. Jerry escapes again, and runs to the podium, where the conductor is getting a drink of water and catching his breath. Tom climbs onto the podium to catch Jerry, but the conductor slams the book onto Tom, leaving the marks of musical notes on his stomach. The conductor resumes the overture and throws Tom off the podium onto the floor.
• Rescigno has been described as "a conductor to treasure" and "a conductor's conductor." He has been recognized for programming imaginatively (often in collaboration with other arts organizations), rethinking old standards, venturing into unexpected repertory, invigorating orchestras, accompanying skillfully, and presenting engaging commentary from the stage.
• It was three years before the Philharmonia recruited a chief conductor to replace Sinopoli: Christoph von Dohnányi took up the position in 1997. The music critic Andrew Clements commented that the Philharmonia's players had "maintained their coherence remarkably well through the long interregnum", but that securing "a conductor of Dohnányi's pedigree" was a major achievement, and that the conductor's skill as an orchestral trainer, combined with his excellence in interpretation augured well for the orchestra's future. Dohnányi's conducting was regarded as reliable and musically admirable, although sometimes rather cool. His commitment to modern music influenced the orchestra's programming and won approval from the press.
• The plot of the "Firefall" episode of "Kolchak: The Night Stalker" (originally aired Nov. 8, 1974) revolves around the spirit of a deceased arsonist that becomes the doppelganger of a renowned orchestra conductor. He starts killing off people close to the conductor (by spontaneous human combustion), with the ultimate goal of taking over the conductor's body.

• Buses in Mauritius are operated with both a driver and a conductor. The bus conductor's job is mainly to collect money and hand out travel tickets to the passengers.
• In problems involving conductors set at known potentials, the potential away from them is obtained by solving Laplace's equation, either analytically or numerically. The electric field is then calculated as the potential's negative gradient. Gauss's law makes it possible to find the distribution of electric charge: The charge in any given region of the conductor can be deduced by integrating the electric field to find the flux through a small box whose sides are perpendicular to the conductor's surface and by noting that the electric field is perpendicular to the surface, and zero inside the conductor.
• It is also possible to get the same effect with a single conductor running down the center of the chamber, through the "hole" in the center of the spheromak. As this conductor's currents are self-generated, it adds little complexity to the design. However, stability can be further improved by running an external current in the central conductor. As the current scales up it approaches the conditions of a traditional tokamak, but in a much smaller size and simpler form. This evolution led to considerable research on the spherical tokamak during the 1990s.
• The A/B Standards introduced interior conductor's controls. Now a conductor could stand inside rather than outside and between cars when operating the doors. The button board controls only worked if the conductor activated the board by key. This prevented tampering or error. The button boards were equipped with an indication flag which told the conductor when all doors were finally closed. As mentioned above, each car as delivered required its own conductor to operate doors. During the 1919–20 modifications, the cars were unitized into new arrangements (see letter designations below) and converted to allow one conductor to control an entire train's doors. This made operation of the cars more efficient, and reduced labor costs.
• Schonberg was highly critical of Leonard Bernstein during the composer-conductor's eleven-year tenure (1958–69) as principal conductor of the New York Philharmonic. He accused Bernstein of showing off by using exaggerated gestures on the podium and of conducting a piece in a way that made its structure overly obvious to audiences (e.g., slowing down during the transition from one main theme to another).

• Two such conductors that offer reduced thermal sag are known as composite core conductors (ACCR and ACCC conductor). In lieu of steel core strands that are often used to increase overall conductor strength, the ACCC conductor uses a carbon and glass fiber core that offers a coefficient of thermal expansion about 1/10 of that of steel. While the composite core is nonconductive, it is substantially lighter and stronger than steel, which allows the incorporation of 28% more aluminum (using compact trapezoidal-shaped strands) without any diameter or weight penalty. The added aluminum content helps reduce line losses by 25 to 40% compared to other conductors of the same diameter and weight, depending upon electric current. The carbon core conductor's reduced thermal sag allows it to carry up to twice the current ("ampacity") compared to all-aluminum conductor (AAC) or ACSR.
• In addition to his orchestral career, Mitropoulos conducted opera extensively in Italy, and from 1954 until his death in 1960 was the principal conductor of the Metropolitan Opera in New York, although the Met never had an official 'principal conductor' title until the 1970s. His musically incisive and dramatically vivid performances of Puccini, Verdi, Richard Strauss and others remain models of the opera conductor's art. The Met's extensive archive of recorded broadcasts preserves many of these fine performances.
• A noted feature of the conductor's style is his ability to conduct without a baton. This eccentricity was observed by Juan B. Fernandez author and editor of El Heraldo comparing him to a young Arturo Toscanini. It is generally considered of great importance to a conductor's ability to communicate with the orchestra.
• She obtained a music teacher and coral conductor diploma in 1982 and a conductor's diploma in 1984 at Liszt Academy of Music. She attended master courses by Karl Österreicher in Vienna, Péter Eötvös in Szombathely and Milan Horvat in Salzburg.
• Khalilov's first posting was being a conductor at the Pushkin Higher School of Radioelectronics of Air Defense under the Soviet Air Defence Forces, before being a teacher at the Moscow military conductor's faculty in 1981. As conductor of the Pushkin Higher School military band he won first place in the competition of military bands of the Leningrad Military District in 1980 and gained the attention of the chief conductor of the Moscow Military District Military Band, Major General Nikolai Mikhailov, who brought him into that band as deputy conductor in 1984. He subsequently transferred to the governing body of the Military Band Service of the Armed Forces of the USSR that same year, marking his first national television appearance at that year's Revolution Day Parade and at the Victory Day Parade the following year as one of the deputy directors leading the massed bands that year, under his superior officer Major General Mikhalilov.

• Pratt makes his way up the train, and to his surprise notices the UM-86 naming on the carriages. The passengers are in a serene state, unresponsive and staring forwards. Upon reaching the conductor's cabin, Pratt discovers professor Mistein sitting in the conductor's chair waiting for him.
• Zhukov graduated 1918 from the National Choral Academy in Moscow. In 1919-22 he was first concert master, then 1922-32 conductor at the Stanislavski Opera Studio. From 1932-35 conductor at the Leningrad Opera) and then again 1935-38 conductor at the Stanislavsky Opera Studio, and having obtained a diploma in the first all-Soviet conductor's competition in Moscow in 1938, 1939-41 chief conductor there. From 1944-46 he was conductor of Moscow Theatre of Operetta. From 1946-1949 he was conductor of the Latvian Opera and Ballet in Riga with Leonid Vigners. Then from 1951 till his death conductor of the Bolshoi Theatre.
• In the MTA, before opening the train doors, subway conductors are required to point to a black-and-white striped board located opposite of the conductor's window every time when a train pulls into a station. The boards are located at the middle of the platform such that when the conductor can see the sign, both ends of the train have reached the platform and that it is safe to open the train doors. The procedure was implemented in 1996 after a series of incidents where doors opened in the tunnel. The procedure shows that the conductor is paying attention. If the conductor cannot see the striped board, they are not permitted to open the doors.
• Fiedler was appointed the eighteenth conductor of the Boston Pops Orchestra in 1930. While the position of conductor of the Boston Pops both prior to and after Fiedler tended to be a phase of a conductor's career, Fiedler made it his life's work, having the position for a half-century.
• For circuits operating at or above 2,000 volts between conductors, a conductive shield should surround the conductor's insulation. This equalizes electrical stress on the cable insulation. This technique was patented by Martin Hochstadter in 1916; the shield is sometimes called a Hochstadter shield. Aside from the semi conductive ("semicon") insulation shield, there will also be a conductor shield. The conductor shield may be semi conductive or non conducting. Only one cable company produces non conductive conductor shields though. The purpose of the conductor shield is similar to the insulation shield: it is a void filler and voltage stress equalizer.